The ¾-sized Little CJ with jumbo shape features a solid Sitka Spruce top, Mahogany back and sides, Mahogany neck, Ovangkol fingerboard, 23.5” (597mm) scale length, Fishman Presys II electronics and a gig bag. The body’s arched back not only provides greater comfort but a fuller and richer sound. The V-shape neck profile also makes playing easier for players with small hands. With classic and premium features in a compact package, the Little CJ is not only easy to play for musicians with smaller physique, it is also extremely portable for you to take virtually anywhere. More than just a downsized acoustic, the Little CJ does not compromise the sound or playability and will provide years of musical enjoyment.
3/4 JUMBO BODY
The smaller size makes it ideal for the mobile musician or for the casual hobbyist who wants to take a good-sounding acoustic on vacation or business travel.
SOLID SITKA SPRUCE TOP
Spruce provides an ideal balance between strength and flexibility, hence its overwhelming popularity as the wood of choice for tops of acoustic guitars. Spruce’s versatile sonic character makes it ideal for a variety of musical genres and playing styles.
MAHOGANY BACK & SIDES (ARCHED BACK)
Bright yet natural with a strong and warm midrange, the beloved Mahogany wood has been a standard for back and sides on premium acoustics for many decades.
VINTAGE OPEN GEAR MACHINEHEADS
Relatively lightweight open gear tuners (18:1 tuning ratio) makes the tuning process a breeze.
Fishman® PRESYS II
The Fishman® Presys II Preamp with 2-band equalization, built-in tuner and a Phase switch for effective tone shaping and noiseless operation during live performances.
Although a mini-sized acoustic body, the scale length of 597㎜(23.5”), soundhole size, body thickness and size of the headstock have all been optimized to produce the best possible sound quality and performance as well as enhanced playability for guitar players with small hands and physique.
The exclusive scooped surface bridge from Cort enhances sustain with greater string angle from the saddle to the body while reducing tension on the strings across the neck were less finger fatigue and improved playability.
COMFORTABLE V NECK SHAPE
A commonly used neck shape on downsized acoustics for ease of playability, the V-neck shape is easier for smaller hands to grasp and maneuver.