Faith Blood Moon Neptune Cutaway Electro

Description

Faith’s Blood Moon Neptune Cutaway Electro greets you with deep amber figuring that shifts under stage lights like polished copper. The high gloss Blood Moon burst sweeps across a solid trembesi top, back, and sides, each board graded AAA and chosen for grain as much as resonance. Trembesi combines the rounded low mids of mahogany with a trace of koa shimmer, so the first chord blooms with warmth before a crisp edge rolls off the top. The Neptune “baby jumbo” outline adds extra air without the shoulder stretch of a full-size jumbo, and the elegant cutaway makes the eighteenth-fret melody feel as close as the seventh.

A mahogany neck meets the body with Patrick James Eggle’s bolt-on joint, keeping the heel slim and secure. The fingerboard is Macassan ebony, its sixteen-inch radius smooth under string bends, and the scale length sits at a lively six-hundred-and-fifty millimetres, giving bold projection while still bending with ease. Gold Grover Rotomatic tuners lock in pitch, a two way truss rod hides inside for seasonal tweaks, and a TUSQ nut cut at forty-three millimetres keeps every open note clear. Flamed maple binding traces the body edges, framing the burst beneath a sweep of gloss so deep you almost fall into it.

Inside, hand scalloped quarter sawn spruce braces form Eggle’s forward X pattern, letting the trembesi plates pump air like a small sound cannon yet still stay balanced across the register. Fingerpicked arpeggios speak with piano-like articulation while full strums carry a rich undercurrent that never turns boomy. When the house system calls, a Fishman INK3 preamp and Sonicore undersaddle pickup pass that character straight to the desk. The flush side panel holds a three-band EQ, phase switch, and chromatic tuner, so you step onstage, set levels in seconds, and start the set. Faith rounds out the package with a wood-shell hard case lined in plush velvet, ready for the next session or tour van.